P
Paul Kimball
Guest
I've made a grand total of five documentaries related to the UFO subject, and two of those were biopics of individuals and the subculture (Stanton T. Friedman is Real and Fields of Fear, which was about Canadian cattle mute researcher Fern Belzil). The vast majority of programming I've done has been about other subjects, all involving the real world in which we live, and the people who share it with us.
I leave you with one of those films, far better and far more significant than any film I've ever done about UFOs (with the exception of the Friedman film, which I still enjoy, but not because of the UFO angle). It was also far more enjoyable to make, and no-one has ever accused me of being a liar or a coward or sent me hate mail because I made it. Which is why I'll be making more of these types of films, and probably no more UFO-related films.
The blurb:
I leave you with one of those films, far better and far more significant than any film I've ever done about UFOs (with the exception of the Friedman film, which I still enjoy, but not because of the UFO angle). It was also far more enjoyable to make, and no-one has ever accused me of being a liar or a coward or sent me hate mail because I made it. Which is why I'll be making more of these types of films, and probably no more UFO-related films.
The blurb:
Before there was a television series called The Classical Now, there was a documentary about Denise Djokic and David Jalbert that I did for Bravo in 2002 by the same name (which I then decided to use for the series). To avoid confusion, and because the network wanted to focus on Denise, the doc was renamed Denise Djokic: Seven Days, Seven Nights for broadcast, but to me, it will always be The Classical Now, because it's about both Denise and David, and where classical music fits into our society today. Of all the films I've done, this was the one I had the most fun making, for a lot of reasons. I am uploading, in five parts, a slightly re-edited version, never seen before. Hope folks like it.