The horror of the audience is then sublimated into a nihilistic consumerism ... and they find themselves strangely hungry after the film ends.
Our fascination with Horror movies in general is rather interesting as they are all about death, are they not? Expressed in all the sleepaway slumber slasher flicks, with Freddy, Jason, Franky, Chucky and good ole Michael Myers stalking us with finger blades, slingshots, knives and machetes, is our perpetual and absolute dread fear for our own mortality. It's what stops Hamlet from doing away with himself with his bare bodkin because, death, and what might come after, is something that troubles the will deeply as no one has returned from that undiscovered country to share what, if anything, comes next.
Personally, I don't feel that we've done well with either celebrating or respecting the dead, nor have we integrated death properly into the cities of the living. Sure there are our cenotaphs, monuments, obsidian walls, and falling water into holes in the centre of the city, not to mention all those improvised road side shrines following the latest crush of metal into flesh. But do the dead live with us, really? What do these markers really mean aside from saying,
once upon a time so and so was born, lived, loved if they were lucky, then died. That's it, and nothing more. Nevermore.
I posted those images from films and tv series where The Dead are suddenly among us, as it's truly confusing. We don't know what to do with them really. We're struck dumb by the dead, like that character at the end of James Joyce's seminal short story, where all the living and the dead are united, for a brief ponderous moment, in the mind of that narrator. We just don't know what to do with them at all.
And so, like Kurtz, standing in that doorway at the edge of life and death, he cries out,
"The horrror, the horror." Because that's all we've got. We journeyed out across the Nihilist River, after killing god and the planet, and now we rub dry thumbs together, wandering in underwater chambers till sea girls wrapped in seaweed wake us and we drown.
I wonder if Delacroix is implying that really, at the end of it all we still want
to hang on to whatever weak branch might keep us from the inevitable?