Oh Mike - you made my day with what has to be the best start of a sentence I've read all year:
'Its a huge issue for scarf knitters'
'Its a huge issue for scarf knitters'
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And while it was great to see and hear Tom Baker again, i have a continuity issue with his advanced age, if he regenerated as a young Tom Baker, how do we get an older and larger version as we saw in this episode.
I for the life of me cant think of any plot device that makes that work.
Apart from that i liked it, and will likely purchase the 3D blue ray if its released
don't be too sure Mike.
And at the very end of the film — SPOILER ALERT — there’s a genuine leap into magical realism, when a declining Hartnell has a sudden vision of current Doctor Matt Smith in his TARDIS. When Smith appeared, I initially thought it was a bit much. Then, fellow viewers, I started to tear up. Like many of the great Doctor Who episodes in recent years, Adventure in Space and Time dares to be silly and winds up being profoundly moving.
Oh Mike - you made my day with what has to be the best start of a sentence I've read all year:
'Its a huge issue for scarf knitters'
Keep in mind that print and fiber are quite different. Matching to coated Pantone chips is probably better due to the reflectivity and depth of color that yarn exhibits. Color matching will never be exact even with guidance, and it's virtually impossible to match how the scarf appeared in the 1970s. You might find these colors dark - especially the tan. Studio lighting and video recording often made the scarf seem lighter than it is. The hues in photographs also tend to wander. Perhaps the trickiest color is the grey. If often appears bluish in photographs, but it is a very warm grey bordering on a deep taupe. See the example of the Shada scarf today as it appears with some sunlight and in typical artificial light. Quite a difference isn't it?
TO SLIP OR NOT TO SLIP?The original scarf definitely has a slipped stitch edge. Don't let anyone tell you otherwise. The duplicate/stunt version of the Season 13 scarf does not. It's a little difficult to discern the edge of the original in the small publicity photo at right, but the lack of slipped stitches on the back of the duplicate scarf is easy to spot as diagonal loops over the edge where the rows change color.
I prefer to slip the last stitch of each row knit-wise as it neatens the edge and can help hide color joins.
Color Shifting
First one must understand that Dr Who was a British TV show that was filmed in the PAL color tv format. When it was sold in the US it was converted to NTSC. This conversion is not always good on the color and results in color shifts and washed out colors. One can see this by compairing snapshots with screenshots. I scanned the scarf on the left from a tape the one on the right is from a snapshot.
Both are from the same show
"The Pyramids of Mars" and you can see that the colors do not look the same.
Because of this color shifting people often disagree about the colors used in the scarves
Also, the earliest Dr. Who's were live television (I think), a feat in itself in black and white. A nice legacy, that show.
The first episode, "An Unearthly Child", was originally recorded a month before full recording on the series began. However, the initial recording was bedevilled with technical problems and errors made during the performance. A particular problem occurred with the doors leading into the TARDIS control room, which would not close properly, instead randomly opening and closing through the early part of the scene. Two versions of the scene set in the TARDIS were recorded, along with an aborted first attempt to start the second version.
Sydney Newman, after viewing the episode, met producer Verity Lambert and director Waris Hussein. He indicated the many faults he found with the episode and ordered that it be mounted again; a consequence of this was the delay of the show's planned 16 November 1963 premiere date. This initial episode is now known as the unaired "pilot episode", although it was never intended as such, since the practice of producing pilot episodes did not exist in Britain in the 1960s.
During the weeks between the two tapings, changes were made to costuming, effects, performances, and the script (which had originally featured a more callous and threatening Doctor and Susan doing strange things like flicking ink blots onto paper). Changes made before the final version were filmed include a thunderclap sound effect being deleted from the opening theme music;
Most Doctor Who episodes were made on two-inch videotape for initial broadcast and then telerecorded onto 16mm film by BBC Enterprises for further commercial exploitation.[1] Enterprises used 16mm for overseas sales as it was considerably cheaper to buy and easier to transport than videotape. It also circumvented the problem of different countries' incompatible video standards, as film was a universal medium whereas videotape was not.[7] The BBC had no central archive at the time – the Film Library kept programmes that had been made on film, while the Engineering Department was responsible for storing videotapes.[1] BBC Enterprises kept only copies of programmes they deemed commercially exploitable. They also had little dedicated storage space and tended to keep piles of film canisters wherever they could find space for them at their Villiers House property.[1]
The Engineering Department had no mandate to archive the programme videotapes they held, although they would not normally be wiped or junked until the relevant production department or BBC Enterprises had indicated that they had no further use for the tapes.[8] The first Doctor Who master videotapes to be junked were those for the serial The Highlanders, which were erased on 9 March 1967, a mere two months after Episode 4's original transmission.[7] Further erasing and junking of Doctor Who master videotapes by the Engineering Department continued into the 1970s. Eventually every single master videotape of the programme's first 253 episodes (1963–69) was destroyed or wiped, with the final 1960s mastertapes to be erased being those for the 1968 serial Fury from the Deep, which were authorised for wiping in late 1974.[8]
Despite the destruction of these masters, BBC Enterprises held a near-complete archive of the series in the form of their 16mm film telerecording copies until approximately 1972.[9] From around 1972 to 1978, BBC Enterprises also disposed of much of their older material, including many episodes of Doctor Who.
Shada is an unaired serial of the British science fiction television series Doctor Who. It was intended to be the final serial of the 1979–80 season (Season 17), but was never completed due to strike action at the BBC during filming. In 1992, its recorded footage was released on video using linking narration by Tom Baker, who played the Doctor in the serial, to complete the story.