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While pulling another all-nighter obsessively remastering No Time To Run, I experienced a brief bout of auditory pareidolia that sounded so incredibly lifelike that it startled me into thinking that maybe I had an EVP event. It turned out to be a DAW artifact that occurs when moving a track segment while it is playing.
Unfortunately I have not been able to recreate the exact experience. This leads me to believe that I may have actually heard something very lifelike. It sounded like me talking on a phone, to myself who was on the other end. No vocal track at that location. Only piano and faint percussion.
The thing about this experience is that digitally speaking, the combination of bits that recreated the sound must be in 'the box' ... someplace. However the likelihood of getting the order just right again seems highly unlikely. It's like this newer version of Schrödinger's Cat, with a far larger possible combination of outcomes.
Some of these artifacts remind me of the sound effects used in The Matrix. I better get some sleep. Gene reminded me we have an early show with John Olsen at 2PM this afternoon.
We normally record on Thursday from 4 to 6 PM Mountain Time and then usually do another 40-45 minutes for After The Paracast.I might be, depending on the day and time. Kids are back to school this week, it's a bit busy.
We normally record on Thursday from 4 to 6 PM Mountain Time and then usually do another 40-45 minutes for After The Paracast.
Thanks for updating. Sometimes we forget some people have real jobs.Sorry folks, slammed at work until late this evening.
If that's what you call sitting in your dining room and shouting at people via your computer all day!Thanks for updating. Sometimes we forget some people have real jobs.
I'm pretty sure @marduk's situation is work from home, and that the people he's yelling at are a lot like Larry, Moe, and Curly