P
Paul Kimball
Guest
I do know what you do for a living. I've seen it in plenty of other posts.
I have a question for you, And I'm not being snotty or sarcastic.
When I used to paint houses for a living, (interior and exterior), It would almost always be the first thing I would look at when I was someplace else.
To this day if I'm in a new building I tend to look at the vynal and examine it to see if I can see the seams or if the walls are painted I would look for flashing.
Would you say that your career helps you to form opinions of others work, and to someone like me ( the untrained eye) i'm not really looking for the "seams" in their work. I'm just watching it. And that is ok. And by the way. I am a fan of yours and I like your stuff, too.
I am also wondering what a philipic is. Is that a real term or am I just slow on the uptake again? lol
every thing I say is coming out wrong now because I think your taking it with malace, And seriously that is not how I am meaning it.
No, we're all good - no offense taken whatsoever. If one can't take the hear, one should stay out of the fire.
Yes, having made lots of films, it helps me make a more informed opinion about them, but it's still just an opinion. There are many people who would classify SuperSize Me as a doc - I don't know of any documentary makers who do, however, although I am sure there are some. But it just doesn't fit the standard industry definition of a doc, and that's what I object to. In the end, it is admittedly an arcane point for most people.
I was watching a film last night (I Love You, Man) and there's a scene where two characters are driving in a car, and all that I could think of was that they shot it on a sound stage, which was obvious, because I've done the exact same thing. Sometimes I miss the days when I could just appreciate a film as a story.