Speculating on Robots and Ancient Art Dealing With UFOs
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See symbols of craft that were redefined by Jim Penniston. See symbol of triangle inside of a circle. See the black round ball-shaped object inside the triangle. The round ball shaped object is a sign of a Robot. The triangular craft is 'modern' and reflects the advancement of the Robot's effective development over thousands of years. The Robot is the pilot of the triangular craft. All small triangular crafts are piloted by Robots. Nearly all alien craft have robots. Computers are incorporated and embodied into Robots. The Robot's artificial intelligence, AI, is periodically programmed and updated in order to stay ahead of human intelligence and has the ability to relate with it. The symbols on the craft are designed to be understood by the Robots use of representative understanding that they are guided to use. Signs reveal what the objects do and what they are. The triangular craft does nor transform on its own. It is being contained in the circular craft from which it operates. The circular craft has several modes of transformation, the principle one being, transforming into a 'gateway'. All visible and invisible pieces of an alien craft vanish on the spot in a gateway that emits a light burst. The light does not accelerate; that implies that it moved. The light powers up and...Disappears. An alien presence pilots the craft in the light burst. Robots are not programmed to operate in inter-dimensionality. Robots can communicate with humans when they are closely entangled. They can throw off a human presence. Humans that communicate with them may be convinced they are from the future. 'They are us'. A triangular craft piloted by a Robot can move slower than one foot per second. This reveals how they handle duration. The craft can also move out of sight 'in the blink of an eye'.
Why has the robot been a secret to all those involved with it the first night of the RFI? Were all the witnesses transfixed with the colors on the craft than with the sense of what lay inside? How did the electro-magnetic force fields affect them?
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The above image is of an actual sighting that occurred in Nuremberg on the 14th April 1561. It appeared in a local broadsheet and was a woodcut by Hans Glasser. The globes, crosses and tubes began to fight one another, and this went on for an hour. Then they all fell to the earth, as if on fire, and faded slowly away producing a lot of steam. Afterwards a black spear-like object was seen, and the whole event was taken to be a divine warning. Held at the Wickiana Collection, Zurich Central Library.
I could name this event The Battle of the Robots or The Last One Standing. THE BLACK SPEAR-LIKE OBJECT is one of the swords that were on the 'hands' of Mac the Knife. The object is the EXACT duplicate of the two I described in the The Event. Here's how I described it."A round 3 foot metallic robot appeared...Mac, immediately showed two metallic prosthetic arms....At the end of the two arms were two blades which worked in unison digging on the surface which Mac was standing. The fury under which Mac was laboring was constant and unrelenting..."
James Archer, alias James Penniston, met with Dot Street and Brenda Butler, authors of SKY CRASH. Archer told them that he and J. Burroughs drove out to investigate lights in the forest. They abandoned the jeep on the side of a logging road because of potholes and ruts and walked over two hundred feet into the forest. Archer said he saw a triangular thing that stood on three legs. He was asked if he saw anyone in the craft. Archer replied "I didn't see any aliens. But there definitely was something in it...the shape did not look human. Maybe there were like robots". Then it began to move around the forest, just above the ground level. They could follow it by walking and keeping up"It displayed amazing maneuverability dodging in and out of trees. And it made no sound at all. It was like nothing man-made."
Drawing below from Erich Von Daniken's book GODS FROM OUTER SPACE. I use a freeware program called IrfanView. Expand the picture to a balloon size in order to see the detail in it. Does the artist know what a Robot is? What activity is going on?
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I described my reaction to my encounter with an alien craft in The Event. Did the force of the encounter affect me to such an extant that I suffered amnesia? Twelve hours after the encounter, I had no memory of it. I bring this up to show I considered it. But I always believed that the event was erased from my mind by the occupants of the craft. I also believe that the heat I felt on the top of my head may have been a thin blue light that I saw and described later...a laser, almost identical to the one Lt. Col. Halt described. I wasn't supposed to remember what I saw. When the encounter ended, I 'returned' to myself. I remember the hours passing while I was still on duty and I could feel my memory of the event leaving me. When I awoke the next morning, I had no recollection of any of the encounter, except that I thought I saw a UFO. I was devoid of all images of the event. That happened in September, 1954. In 1995, after six months of probing my unconscious, I recollected most of what happened, In 2005, my mind slowed down on two mornings. I had my memory back of the whole event. I realized that I had recollected the whole episode in slow motion, which indicates the state I was in 1954. I kept telling myself, at the time, I am a camera.
Unearthly lights at RAFB Mildenhall..1954
Colorful red and white lines of light, closely bunched together, moving in rhythm with waves of striking intensity over an object that the lines were covering or hiding. The lines of light kept changing in length, position and direction interchanging space with the other color. The red lines dominated and resonated. They never pooled together like a drop of water. At times, they appeared monstrous; at other times, they appeared like demons. Many times, they appeared as if they would reveal themselves. I thought they were entities. But they portrayed a reddish cloak of throbbing consistency of an agitated malevolence.
The lines of light emerged from the disintegrated craft and levitated to the top of the rectangle (REC) and attacked its surface. As the REC was descending, it continued its assault. The REC and white carpet (WC) mixed and melded together. The demonic red lines appeared to gather additional force, as the new REC accelerated. Then, it was swallowed through the surface and was seen no more.
For ten years, I was in its pursuit. Finally, in Florida, on two separate mornings, my mind slowed down and my recollection of an alien encounter was complete. What emerged was a black, round metallic robot with two skeletal, prosthetic arms with long blades displaying fury and rage.
The robot changed my perspective a lot and I began to see new patterns emerge. I'd begun to make some deductions with the information John Burroughs posted. If a robot can levitate and cloak itself in a light form so can the entities. The robot would hide under red and white light; the entities would hide under white, red, yellow and blue light.
The concept 'vortex lines' kept eluding me while I was describing the demonic red and white lines. I added vortex space to my desktop background to reinforce my recall of the concept.
Above the white carpet, a charcoal fence formed diagonally upwards on two sides...The white carpet began to move slowly to the left and upwards. The solid rectangle which appeared mostly beige had become black in color. Its bottom began to lift to the left and its top began to sink to the right. Both assemblages appeared to be in coordination...first aligning, one ascending...one descending.
What was left of the metal and frame on the alien craft was interacting with a force that was pulling it between the two assemblages. The metal shrunk and folded like an accordion and tore off with such force that it disappeared.
At the top front, as the metal was being torn off, a round 3 foot metallic robot appeared and levitated to the top of the descending rectangle. Mac, as it will be named, immediately showed two metallic skeletal prosthetic arms. These were formed from the turning of two Rubik cube- like squares on its shoulder. At the end of the two arms were two blades which worked in unison digging on the surface on which Mac was standing. The fury under which Mac was laboring was constant and unrelenting. Mac kept flailing at the surface with the blades cutting deeper. There was another blade which looked like it was sweeping aside the sliced bits yet none of the cuttings escaped the hole.
The picture below shows the white carpet (WC). It shows the diagonal rectangle (REC) above, beginning to realign with the WC. The flames on the WC represents a spiritual being -Bubblehead, in front of the WC on the left. Mac the robot, represented by a watch, is covered in red. The ring of the watch may represent the last piece of the disintegrated craft. This is a fairly accurate depiction of the event I witnessed.
[In the picture below, in the upper right hand corner there is a drawing of what appears to be a head. If you keep observing it (concentrate on the mouth) it will transform into apopular version of an ET. There is another face under it]
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The painting is a compilation of three separate events recorded by Julius Obsequens, a pagan , Roman writer in mid 4th century AD.. His work was abridged and the account of omens or wonders, strange events or portents occurred in Rome between 249 BC -12 BC. The work was reprinted in the 16th century. It referred to air phenomena, (UFOs).
For 99 BC, he wrote, "When C. Murius and L. Valerius were consuls, in Tarquinia towards sunset, a round object, like a globe, a round or circular shield, took its path in the sky from west to east."
For 90 BC, he wrote, "At Aenariae, while Livius Troso was promulgating the laws at the beginning of the Italian war, at sunrise, there came a terrific noise in the sky, and a globe of fire appeared burning in the north. In the territory of Spoletum, a globe of fire, of golden color, fell to the earth gyrating. It then seemed to increase in size, rose from the earth and ascended into the sky, where it obscured the sun with its brilliance. It revolved toward the eastern quadrant of the sky."
For 42 BC, he wrote, "something like a sort of weapon, or missile, rose with a great noise from the earth and soared into the sky."
These drawings came out of Erich Von Daniken's book GODS FROM OUTER SPACE.
Inside look at an alien craft
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Mac the robot is at the center of the picture. The artist put a human inside because he thought that it was under intelligent control. Today, AI is beginning to live up to the promise forecast for it thirty years ago.
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Note the four blades on four sides of the round form. I suggest they are symbols for the two metallic swords I saw an identical robot use. What is the other device a symbol for? Four square boxes with a circle within a circle? When I first encountered the craft, I was scanning the side of the craft looking for an anomaly, rivets or lines. Not seeing any I looked again at the craft. There were two portholes there which weren't there when I first looked at it. The circle within a circle reminds me of the portholes. One of the many functions the robot performed was to install the portholes. Mac was a porthole mechanic. The other side of the craft would probably be earmarked for the other two portholes. Since there are four blades, does that suggest that there are four swords inside? These symbols will be encountered again on two other objects. I believe this drawing is over six hundred years old.
There is another robot in the drawing.
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Shooting from the hip, I'd suggest this little 'guy' is sent into extreme conditions to gather information.
Next, is the drawing of an object you may be familiar with?
It's the ˜basketball" described by Larry Warren that was red in color that flew in from the North Sea and hovered over the "aspirin" and exploded into shards of color. Note the six picture windows on the ball. Also note, the humanoid figure working on it with the 'clawed' hand.
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I've been delayed in completing this project. The delay had been caused by the recalling words that "there has to be a human explanation". The presuppositions contained in this have never been questioned. I've been trying to understand a few ancient drawings and artifacts...and then, Voila! I understood the pictures that baffled me. I believe the artists and artisans were also confused by their alchemic experiences where humans can be raised to a higher consciousness. Some examples.
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These drawings came out of Erich Von Daniken's book GODS FROM OUTER SPACE.
A human is represented guiding the passage of some mobile mechanism. I suggest that the round ball embodies the intelligence guiding the mechanism. I suggest it is a robot with AI at the helm not a human.
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These drawings came out of Erich Von Daniken's book GODS FROM OUTER SPACE.
There was something about this picture that drawn me to it. Yet, 50% of the content baffled me. Then I reflected: get rid of the human explanation and insert what I Observed. Voila!
1. THIS WAS THE WHITE CARPET (WC). The Bubbleheads evacuated silver bars and containers from the football shaped craft and placed them on the WC.
2. There were two Bubbleheads involved in this process.
3. Six silver bars were placed in the first row.
4. There were three each in the row, with one top of another.
5. Three containers were placed in the next row.
6. Three containers were placed in the third row.
7. Two Bubbleheads remained.
8. B2 went to the right, sat down on the surface and dropped down below.
9. B1 landed on the left and sat down in a seat.
Look at the picture:
1. there were three humans under the influence of hallucinogenic leaves which are designed to induce visions of enlightenment.
2. I replaced the humans with what I observed...silver bars and/or containers.
Recap:
A WC, with little depth, just above the ground with three rows of rectangular shapes
three each in the first two rows and six in the third behind B1. The two BHs
were represented by two fairies. (This is an instance where fairies represented ET in alchemic lore)
Take the humans out of the picture and put in containers...a perfect description.
Take the fairies out and put in the Bubbleheads...a perfect description.
Now, the left side of the picture.
1. There is a flying snake.
2. A human using signs with his hands.
3. Another Bubblehead
4. A dead animal
I saw a snake emerge in the air with light streaming through its eyes. I replaced the human with the Robot which left the craft when it disintegrated and landed on the descending Black Rectangle (BR) that was formed by the laser rays from the snake and the gases from the thin blue beam of light from the craft. (The thin, blue beam of light was identical to the one described by Lt. Col. Halt during his night out.)
I suggest the other Bubblehead (B3) left the craft after the craft was hidden by the large mound of dirt. B3 developed the WC, the electric grid field and the three squares that formed into the Black Rectangle (BR). One of the squares contained the meat locker (a dead animal) that was shown on the drawing of the craft and its crew. I suggest B3 was located in the center square, the black hole. B3 manipulated the destruction of the craft and collected its pieces in the black hole. There was no sign of dirt, metal or water on the tarmac underneath the disintegrated craft.
I suggest the Robot dug into the square where it landed and united with the silver bars (molten craft, instruments) and containers (crew). This picture represents the MERGING of the black rectangle with the white carpet.
A certain madness discovers that the (non)-being of a problem cannot be reduced to a non-being of a negative. "Nothing happened". One should not ignore the use of the faculties: Memory, Perception, Imagination and Understanding. A thinking subject needs the modalities of all the faculties.
continued
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