I don't think that the individuality and uniqueness of a human or an animal's lived experiences can fairly be described as only "trivially true." More important, I think, is the pressure the encountered world places on every living being in every place and situation, from moment to moment, to 'make sense' of its relation to the world. Regarding empathy, we like many species of life evolving and developing before our appearance do have a capacity for empathy, mutual understanding, and 'intersubjectivity', but that doesn't mean that we can understand one another completely as individuals or understand all the historical works of mind produced by members of our species as presenting uniform and mutually coherent descriptions of what we hope to call 'real' or define as 'reality'. That which exists in the experience of all sentient beings exists in motion, in continual change. We develop our ideas out of those parts and aspects of the world we have experienced, and we humans try to hold our ideas fast despite the ways in which the temporally open worlds we experience continue to exceed our grasp on every side. As Stevens wrote at the conclusion of one later poem, ". . . Where was it one first heard of the truth? The the."
Here's the poem:
The Man on the Dump
by
Wallace Stevens
Day creeps down. The moon is creeping up.
The sun is a corbeil of flowers the moon Blanche
Places there, a bouquet. Ho-ho ... The dump is full
Of images. Days pass like papers from a press.
The bouquets come here in the papers. So the sun,
And so the moon, both come, and the janitor’s poems
Of every day, the wrapper on the can of pears,
The cat in the paper-bag, the corset, the box
From Esthonia: the tiger chest, for tea.
The freshness of night has been fresh a long time.
The freshness of morning, the blowing of day, one says
That it puffs as Cornelius Nepos reads, it puffs
More than, less than or it puffs like this or that.
The green smacks in the eye, the dew in the green
Smacks like fresh water in a can, like the sea
On a cocoanut—how many men have copied dew
For buttons, how many women have covered themselves
With dew, dew dresses, stones and chains of dew, heads
Of the floweriest flowers dewed with the dewiest dew.
One grows to hate these things except on the dump.
Now, in the time of spring (azaleas, trilliums,
Myrtle, viburnums, daffodils, blue phlox),
Between that disgust and this, between the things
That are on the dump (azaleas and so on)
And those that will be (azaleas and so on),
One feels the purifying change. One rejects
The trash.
That’s the moment when the moon creeps up
To the bubbling of bassoons. That’s the time
One looks at the elephant-colorings of tires.
Everything is shed; and the moon comes up as the moon
(All its images are in the dump) and you see
As a man (not like an image of a man),
You see the moon rise in the empty sky.
One sits and beats an old tin can, lard pail.
One beats and beats for that which one believes.
That’s what one wants to get near. Could it after all
Be merely oneself, as superior as the ear
To a crow’s voice? Did the nightingale torture the ear,
Peck the heart and scratch the mind? And does the ear
Solace itself in peevish birds? Is it peace,
Is it a philosopher’s honeymoon, one finds
On the dump? Is it to sit among mattresses of the dead,
Bottles, pots, shoes and grass and murmur
aptest eve:
Is it to hear the blatter of grackles and say
Invisible priest; is it to eject, to pull
The day to pieces and cry
stanza my stone?
Where was it one first heard of the truth? The the.